“St. Vincent”: Bill Murray Gets Better and Better with Age

St. Vincent-CindyFazziPicFilm Review: “St. Vincent” directed by Theodore Melfi, 2014

We’re all familiar with the curmudgeon character made popular by Archie Bunker on TV. Clint Eastwood played a similar character in “Gran Torino” and “Trouble with the Curve.” In “St. Vincent,” Bill Murray’s cantankerous neighbor is a refreshing take on the trope. (more…)

Christian Bale’s “Out of the Furnace” is a Cinematic Slow Burn that Shines Brightly

OutoftheFurnace-CindyFazziphotoFilm Review: “Out of the Furnace,” directed by Scott Cooper, 2013

“Out of the Furnace” is not the kind of movie that jumps on you. It’s a cinematic slow burn that grows on you. The film, set in the steel town of Braddock, Pa., is about the Baze brothers—Russell (Christian Bale) and Rodney (Casey Affleck). (more…)

“Dead Poets Society”: Robin Williams Will Stay “O Captain, My Captain” in Our Hearts

Film Review: “Dead Poets Society,” directed by Peter Weir, 1989

Dead Poets SocietyAlthough “Dead Poets Society” is set in a boys’ prep school in Vermont in 1959, moviegoers relate to it because it puts them squarely on a familiar ground. Most people remember a teacher like John Keating (Robin Williams) who changes his students’ lives. In every school, there’s a passionate soul like Neil Perry (Robert Sean Leonard), a painfully shy kid like Todd Anderson (Ethan Hawke), and a rebel like Nuwanda (Gale Hansen). (more…)

Tom Hardy’s “Locke” Shows Extraordinary Power in Simplicity

Film Review: “Locke,” written and directed by Steven Knight, 2014

Locke Pic by Cindy Fazzi
It takes an actor such as Tom Hardy to pull off a film shot almost entirely inside a car, showing him alone, from beginning to end. Ivan Locke (Hardy) is a construction manager in Birmingham, with a reputation for “running a tight ship,” as a local official describes him. One evening, after work, he doesn’t go home. Instead he drives to London, a decision that changes his life within 85 minutes, which is how long the drive and the movie last. (more…)

4 Lessons for Writers from Akira Kurosawa’s “Rashomon”

RashomonPic-CindyFazzi

In “Rashomon,” the 1950 classic film by Akira Kurosawa, viewers can be certain of three things: A samurai is dead, his wife has been sexually assaulted, and a bandit is the main suspect. Everything else about the film is open to discussion. Every viewer is entitled to his or her own conclusion. (more…)

Top 15 Book-to-Movie Adaptations

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I agree with Buzzfeed when it picked “To Kill a Mockingbird” as the best book-to-movie adaptation of all time. Buzzfeed listed the top 23 adaptations based on their readers’ favorites. Those who “voted” for the movies that made the list were not necessarily comparing them with the novels. (more…)

Hollywood’s Love Affair with Lady Liberty: From “Saboteur” to “Adjustment Bureau”

Statue of Liberty photo by Nina Fazzi

Filmmakers love the Statue of Liberty for its cinematographer-friendly qualities.

From the 1942 Alfred Hitchcock film, “Saboteur,” to the Matt Damon-starrer “The Adjustment Bureau” (2011), Lady Liberty has been thrilling, scaring, and entertaining moviegoers over the years. (more…)

5 Reasons Why Writers Should Watch Federico Fellini’s “La Dolce Vita”

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A quick Google search will show you that “La Dolce Vita,” which means “the sweet life,” is a popular name for Italian restaurants, bakeries, and coffee shops. The term has taken on a life of its own ever since Federico Fellini’s film of the same title was released in 1960. (more…)

“The Savages”: A Small Film Showcasing the Giant Talent of Philip Seymour Hoffman

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Film Review: “The Savages,” directed by Tamara Jenkins, 2007

Like most film buffs, I was devastated when the news broke that Philip Seymour Hoffman died of accidental drug overdose on Feb. 2. He was 46. Described by the New York Times as “the most ambitious and the most widely admired American actor of his generation,” Hoffman was best known for “Capote” (2005), which earned him the Oscar for best actor. (more…)

“Inside Llewyn Davis” Elevates “Starving Artist” Stereotype to a Darkly Funny Hero


InsideLlewynDavis-CindyFazziFilm Review:Inside Llewyn Davis,” directed by Joel and Ethan Coen, 2013

The film starts with Llewyn Davis (Oscar Isaac), a folk singer, performing in a club. It’s the 1960s in Greenwich Village in New York City. He sings hauntingly about being hanged, a foreboding of what’s to come. Indeed, after his performance, he gets beaten up by a stranger at the back of the club. (more…)