14 Lessons for Writers from 3 Classic Foreign Films

Photo credit: popturfdotcom via VisualHunt / CC BY

Film is a universal art form. Those of us who write novels can learn a lot from the storytelling techniques of filmmakers, especially masters like Federico Fellini, Akira Kurosawa, and François Truffaut. Their films defied Hollywood norms and yet found a global audience. (more…)

Lake Bell’s “In a World…” is an Exuberant Exposé of Cutthroat Voice-Over Industry

InaWorldPic-CindyFazziFilm Review: “In a World…,” directed by Lake Bell, 2013


“In a World” puts a spotlight on the cutthroat voice-over industry the way “Black Swan” exposed the brutally competitive world of ballet. But the former is exuberant while the latter is grim. (more…)

Top 15 Book-to-Movie Adaptations

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I agree with Buzzfeed when it picked “To Kill a Mockingbird” as the best book-to-movie adaptation of all time. Buzzfeed listed the top 23 adaptations based on their readers’ favorites. Those who “voted” for the movies that made the list were not necessarily comparing them with the novels. (more…)

Hollywood’s Love Affair with Lady Liberty: From “Saboteur” to “Adjustment Bureau”

Statue of Liberty photo by Nina Fazzi

Filmmakers love the Statue of Liberty for its cinematographer-friendly qualities.

From the 1942 Alfred Hitchcock film, “Saboteur,” to the Matt Damon-starrer “The Adjustment Bureau” (2011), Lady Liberty has been thrilling, scaring, and entertaining moviegoers over the years. (more…)

5 Reasons Why Writers Should Watch Federico Fellini’s “La Dolce Vita”

LaDolceVita
A quick Google search will show you that “La Dolce Vita,” which means “the sweet life,” is a popular name for Italian restaurants, bakeries, and coffee shops. The term has taken on a life of its own ever since Federico Fellini’s film of the same title was released in 1960. (more…)

“The Savages”: A Small Film Showcasing the Giant Talent of Philip Seymour Hoffman

Savages
Film Review: “The Savages,” directed by Tamara Jenkins, 2007

Like most film buffs, I was devastated when the news broke that Philip Seymour Hoffman died of accidental drug overdose on Feb. 2. He was 46. Described by the New York Times as “the most ambitious and the most widely admired American actor of his generation,” Hoffman was best known for “Capote” (2005), which earned him the Oscar for best actor. (more…)

5 Lessons for Writers from François Truffaut’s “The 400 Blows”

the-400-blowsFrançois Truffaut’s “The 400 Blows” is a staple of film courses, the frontrunner in the French New Wave Cinema. Not surprisingly, I watched it in class when I was in college. Our analysis now escapes me, but I remember getting teary-eyed while watching it. The 12-year-old protagonist, Antoine Doinel (Jean-Pierre Léaud), is one of the most unforgettable characters ever created in film. He has stayed with me for decades. (more…)